Dance History
"Dance is the most beautiful art, because it is not translated by abstraction of life, it is life itself," says Havelock Ellis. Indeed, he was right, if we think that through dance we can express freely without constraints. No limits, no barriers ... simply felt and expressed.
Dance in Antiquity
In ancient Indians, the ideal geometric mean dance form. Shiva, the symbol of Hindu mythology, was considered the source of any activity, but the ultimate Prince of dance. 108 styles were invented by him transmitted to learning Bharata, the author famous Treaty (6000 lyrics about dancing, poetry and drama). Many of the known forms of dance and refinement among the ancient Greeks. Aristotle explains the origin of human physiological rhythm by function, referring especially to heartbeat, the perfect metronome. Dancing means excitement, but also means the conquest of space and courage to overcome mobility. Mallarme said: "... any emotion would leave us a space that expands quickly upon us and incorporate it. "
European Dance
It owes much to the royal courts. At first dances were forms of dance palace in the countryside. For example, "Bramble", one of which was transformed and stylized to be interpreted by the aristocracy of the time. In time, however, the dances have evolved. Thus, in the XVI century, in certain palace dances such as "Pavano" or "Galiardul" were added to the complicated steps and small jumps. If by then there was a tendency "dance group", the palace came performances of female-male couple, unlike the practice in other cultures. One aspect of dance was eroticism, gently suggested the "minuet" dance of the eighteenth century to simulate a kind of duel amoros.?n after the social revolution of the eighteenth century was rich and middle class have emerged rooms ballroom and other public places dedicated entertainment. If by then the dancers form pairs only with those closest to social rank, now become something normal "merger" between aristocrats and the average rank. At the end of the century appeared a new dance, it has surpassed other - Waltz. His appearance was a revolutionary, although moralists were scandalized, waltz remained and was then followed by vigorous polka and other dance pairs. Meanwhile, dance palace has led to professional dancers who were performing before the audience and came to the early twentieth century to become dance, divided into two sections: Standard and Latin American.
style="display: none;" Dance Types
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Tango
Old name: Milonga
Year Published: 1920
Origin: Brazil
As music: 4 / 4
Tempo: 30-33 steps per minute
Milonga tango was predecessors. Early 20th century, Milonga (where there is movement specific short and stopped by head and shoulders) was danced in the halls of high society low in Brazil.
The dandies "(hottest boys) have changed the dance in two directions. First they changed the so-called "Polka rhythm" to "Havana Rhythm" and called him names because Tango Milonga Amita too much of "Barra de Las Ranas" one of the ghettos of Buenos Aires.
Since 1900 several amateur Argentine community have tried unsuccessfully to introduce Tango (36 steps per minute) in Paris.
Professor Robert Paris made huge efforts to make the popular tango was not yet the way was paved with many roses. There were many adepts and many opponents. Especially the French bishops were against dancing, drawing attention to its tempting and sensual nature of his dancers jeopardizing bisericesti.Tangoul holy teachings was not accepted either in London, considered an erotic dance.
In 1907, after several changes of style and after a dance contest in the French Riviera where dancers were highly appreciated, Tango's was accepted as both Paris and London at a party - tea or who dances ("Tango teas" "Tango Soupier"), who were invited as professional dancers.
Even the U.S. press was scandalized. On May 30, 1915 New York Times to publish an article entitled "Danger tango, more than German imperialism."
As music is 4 / 4 tempo of 30-33 measures per minute being. Character dance is given by syncopated movements and dramatic pauses, and manner of approach depends largely on the dancers' ability to adapt his passionate nature.
It is a dance full of personality, with great inner feeling that enveloped the audience with fragrance.
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Wiener Waltz
There are several versions regarding the origin of this variant dance. First option sustain that waltz origins are found in XII - XIII centuries in the southern German Alps, appeared under the name Nachtanz. Predecessors were dances Allemande and Menuetul. German-allemand was a stately dance in two lines. Partners stood in front of one another and traveled back and forth, sometimes passing under the arms or encountered other lines to the middle. Menuetul was composed of steps forming a square dance in a rigid manner and impressive.
Itself is Viennese waltz and evolved in Austria and Bavaria under the name Dreher Deutscher or Laendler, Bavaria was the original predecessor last waltz. Landler's steps and figures were reduced to six steps due to the speed and so was born Viennes Waltz. After Waltz, was created as an Austrian folk dance movements which involved robust and space. Often, partners in the movement were lifted in the air that sometimes cause accidents. Since peasants wore thick shoes and countries, was very noisy. When dance first became popular in dance halls of Vienna in the late eighteenth century, these issues began to change. Waltz was nicknamed 'forbidden dance', because when reached Viennese dance halls, partners were allowed to touch! It was something unheard of and resulted in defamation of this dance by the church officials and community leaders in Austria. But dance was preferred because of the young continued to be danced.
Following the passage of the dance hall was transformed into an elegant dance, music became more refined and orchestrated, the instruments used are piano, violin and brought basul. In 1787 Vienna Opera has created heated debate. Mozart was a passionate admirer of the Waltz in one of his operas Don Giovanni three waltzes are played one after another. For sure Viennesse Waltz could not be stopped.
Another option is that in an article published on 17 January 1882 issue of The Fatherland, which claimed that the waltz was first danced in Paris in 1178 under the name Volta. First waltz song dates from 1770, was introduced only in Paris in 1775 lasted until 1813 to become Mr. Byron popular. In Waltz condemn as frivolous. Waltz was accepted inh 1816 at London, but fight against still continued. Only in 1833 published a book of good manners of Miss Celibart allowed married womens to dance it. After 1960 have held many discussions between Germany and England about figures number allowed in competitions. In 1983 ICBD took the final decision: Natural & Reverse Turns, Closed Changes, Natural & Reverse Ceck Fleckers and Cons (3-stroke).
Today is trying to introduce new faces to stimulate the development of this dance: Throughaway Oversway, Natural hing line on right side, Left Whisk, Spin Off Beat, Two Bar Counter Ceck, Reverse Pivot, recommended last 4 IDSF (International Dance Sport Federation) are already danced to the music competitions. Measure is 3/4 tempo being of 58-60 measures per minute.
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Slow Fox
Old name: Foxtrot
Year Published: 1920
Origin: American
As music: 4 / 4
Tempo: 30 measures / minut
Slow Foxtrot predecessor was Foxtrot. Foxtrot site appeared in the early 1920s, many of his figures, adjusted or not, being subsequently enter in Vals Lent. Even first pair of dancing known consecration on this kind of music, was Vernon and Irene Castle (who popularized the Foxtrot early stages called "Castle Rock") a paternity Foxtrot is assigned by vaudeville actor Henry Fox.
Even if the theory that the name of this actor seems to be well reasoned, there are other theories on the name origin. One likeness would be a kind of typical walking horse (Equestrian gait) used to riding lessons and tights. Such travel has been considered so elegant and interesting that have created a breed of horses' Missouri Fox Trotter "in order to do it as well. Another theory says that even fox (Fox) had to do with name, being the animal that can move all 4 feet on the same line. Slow moving likeness of Fox being obvious.
Foxtrot site was introduced in Europe just before World War I, it was originally a dance with slow movements and pasioanal rapide. At the end of World War (slow-) foxtrot consisted mostly of "walking" (Walks ), "Three Steps" (Three Steps). I
n 1919 American Morgan introduced a short "open back spin", called "Mogan Tower" in 1920 GK Anderson introduced a very talented dancer faces "Step Up" (Feather Step) and "Change of direction" (Change of direction), figures without which we can not imagine Fox's Slow Dancing for astazi. Europeans dance teachers were not wild character of the Foxtrot excited and began to modify it.
Between 1922 and 1929 Frank Ford (along with Molly Spain Championschips Star 1927 winners), with Josephine Bradley used to give demonstrations have developed the basic movement of Fox. At that time Slow tempo was still unclear, ranging from music's Foxtrot 40 and 50 beats per minute depending on the band that the late twentieth sing. In the late 20th rithm problem led to the separation in slow-Foxtrot 32 beats per minute and Quick Step with 50-52 beats per minute. 30s era became Golden's Slow Foxtrot, owing fascinating figures and versatility is allowed by the rhythmic variations.
As music is 4 / 4 tempo is 30 steps per minute. Slow-Fox site is fully rendered and typical English style. Is the most elegant dance, grace and style requires dancers a sense of balance and leg technique to be well controlled, however giving viewers the impression of floating on dance tunes ring. Is dancing on high brightness of slow jazz style - Blues released the greatest singers Ella Fitzgerald and Louis Armstrong.
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Quick Step
Old name: Nachtanz
Year Published: 1920
Origin: American
As music: 4 / 4
Tempo: 50 measures / minute
Developed during World War I in suburban New York, was initially interpreted by African and Caribbean dancers, music-hall debut as the U.S. sites. Quickly became popular in the halls of your dans. Foxtrot and Quick Step have a common origin. In the 1920s many bands Foxtrot's singing too fast (steps of its big dance without being at that speed), which has displeased by many people, even some of the major publications of the time writing about it. Thus in the late 20 different dances were developed Foxtrot Slow-site with 32 beats per minute and Quick Step's to 50-52 beats per minute.
Charleston's is one of the dances that had a major influence in the formation and development of Quick Step-ului. The British developed from the original Charleston a progressive dance without "kicks" (specific movement) mixed with the aforementioned Foxtrot , naming it "the Quicktime Foxtrot and Charleston". The English couple Frank Ford and Molly Spain danced in the 1927 competition 'Star' Championships a version of this pair (it was a solo dance for two) and no characteristic knee Charlestonului. Figures were Quarter Turns, Cross Chase, Zig-zags, Cortes, Open Reverse Turns, and Flat Charleston.
Eventually he was born in the years 1928-1929 the Quick-Step's final, having specific sites and steps crossed Chasse (lock step). Quick Step has become very popular because it offered young people from a middle class society joyous rhythm and musical dynamics lor. As music is 4 / 4, tempo of 50 steps per minute.
Standard is the most energetic dancing, playful and lively, with a sharp pace but at the same time, slightly flaky, emanating a charm. Figures are claiming more dynamic practice and timing.
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Samba
Old name: Baio-march
Year Published: 1920
Origin: African-Brazilian
As musical: 2 / 4
Tempo: 50-52 steps per minute S
amba has its origins in Africa, but was discovered in Brazil, where he developed, and also became a national dance, is a combination of influences of African, Indian and Iberian. Many versions of Samba - from Baio (pronounced Bajao) in March - are dancing at Carnival in Rio and in schools samba. In XVI century, the Portuguese discovered South American coast, a beautiful place called January River, that Rio de Janeiro. Colonists were settled there, and as the colony began to thrive, slaves were brought from West Africa to southern plantations in Bahia, north-east now has adherents Brazilii. For adeptsof current African-Brazilian religion, Candomble, Samba means to pray, to invoke your own orixa (God / Spirit). African rhythms have been assimilated into Latin music coming from the Yoruba, Congo and other West African countries, which were made slaves in the New World.
In their homeland, the rhythms were meant to invoke various gods. Candomble preserves these rhythms, even in our times! These rates were those which gave the dominant note of Brazilian music, making Samba a unique type of muzica. Native dances was considered a blasphemy by Europeans, and not many times tried not stop the popularity of these dances. And yet, in many colonies both blacks and whites have adopted this style of dance.
Both the dance itself, and music can have many forms. The first attempts to bring Samba dance halls of European dates around the years 1923-1924, but only after WWII that dance became popular in Europe during 1948-1949. When Walter Lair with his partner Lorraine had a particularly important contribution in developing Sambei. In 1830s dance developed from a mixture between dance performed by black figures, with rotation and body sway in Lundu sites . Later, carnival steps were being added.
This dance began to change, and dancers know have opted for Europe characterized by a very close dance position between the two dancers. Around 1885, was adopted by high society in Rio, and popularized as the Zemba Queca to be changed its name to Mesemba.La early twentieth century, Masemba was combined with other Brazilian dance called Maxixe and was popularized U.S. and Europe. He was described as having Polka steps performed on Cuban music, Habanera (Havana). Today Samba still contains step called Maxixe, consisting of a Chase and a punctare. In 1930 Samba was called Carioca. Movies led quickly to popularize them, like Fred Astaire and Ginger Rogers dancing style together through film "Flying Down to Rio", "The flight to Rio. In 1941, his popularity exploded in the game actually made by Carmen Miranda in her many movies, especially "That Night in Rio", "That nopate Rio. Another surprising element is that they got radio stations in U.S. and worldwide, giving that kind of music ...
Exorbitant fees that have to pay music copyright of indigenous and European, was the element that helped popularize music most Saturday. Instead of paying large sums of money, sending Latin music, which besides being able to deliver without any fee paid in advance, caught the audience in a amaising way. Samba was popularized in 1950 by Princess Margaret which play a central role in our sport britanica.Samba the chance, although it retains elements that Brazilians consider to be real samba, the dance was structured in 1956 by Pierre Lavelle. Since then, there were many types of direct contact Samba music is not fashion vremurilor. As music is 2 / 4, tempo being of 50-52 measures per minute.
To succeed in expressing the true character of Samba dancers have to deal with an interpretation joyful, exuberant. Most figures of Samba dancing that today are performed by moving the hip, tough move, but without the dancing and choreography would lose efectul. With a balanced coreographie, alternating trips to the state and rapid movements with the slow dance that exudes energy reminiscent always the famous Carnivals in Rio.
Dancing in the form of current, still has figures that have different musical rhythms, 'betraying' mixed origins of dance. For example, Figure Bota Fogo is danced on '1 & 2 ', in the fourth rhythm while dancing Rolls Natural 2 & '1', meaning a half-pace. This dance is characterized both by large movements of balance, but also a body feature strand payment being danced in front of the weight to one leg flexed.
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Cha-Cha-Cha
Old name: Chatch
Year Published: 1940
Origin: Latin American
As music: 4 / 4
Tempo: 30 measures / minute
We can talk about Cha-cha without mention previously about Mambo. There are three forms of Mambo: single, double or triple and the triple version is actually five steps. For this type of dance was developed Cha-cha. How? I still see! In late 1940, in Havana, Cuba, Cuban troops and American musicians, singing in the casinos big cities. Some of these orchestras tried combining American jazz rhythm, with the Cuban rumba. The result was Mambo.
Among the many faces of mambo, no one is called "chatch", which involves three quick movements followed by two steps of weight more slowly realize. Until early 1950, this figure has drafted a new dance, dance called Cha - cha - cha.Cha - Cha's inherited many elements of style from the "parents" of, that mambo and rumba, leaving a sensual dance and very energetic. Like most Latin dances, and it is done with a movement of the legs close to the floor. Dancers' hips are relaxed and allow natural movement of the pelvic section. Upper body is positioned above the foot with that step.
Cha-cha is the latest entry into Latin American dance class was seen for the first time in dance halls in America around 1950, is a slower version of Mambo and less complicated site, called double mambo. How did this come from? Many people complained that Mambo is too fast and too abruptly, and the orchestra began to slow down. Created in Cuba Cha-cha African and Cuban rhythms mixed contains a Latin rhythm. A countdown feature, two, three, cha-cha made him famous.
Cha-cha-cha name appears first in Haiti, as a component of the bell. This bell was made from a plate that uttered a sound "cha-cha" when he was a rub. Another version of the name of this dance would be as follows: When the Cuban women dance shoes with heels hit the floor in the pace of the cha-cha-cha. Another hypothesis is the origin of the Spanish word "ChaCha," which means health care, or "chachar" which means "to chew the leaves of the cocoa tree", or "char" which means "tea". In the early 50 high Cuban orchestra, Orchestra Aragon as Cha-cha and sang as part of Latin dance madness spread like wild fire over the American musical culture until nearly every band needed to add a cha-cha on their LP. Even in the late 60s when Salsa began to impose many bands kept the Cha-Cha on their albumes. Cha-cha itself was invented in 1954 by a Cuban violinist Enrique Jorrin. Jorrin , American member of Charanga orchestra, reduced mambo rhythm and made some recordings that helped to implement this change.
Due to the fast pace required cha-cha steps very small. Dance is a measure of 4 / 4 and counting was 1,2,3, and 4 and dancers made return in the execution steps. Swivel and could add many other fancy new moves. Steps crossed, rotation, lateral movement were also included, with braking or places where movement is stopped for a moment. Cha-cha moves require more balance, making it very expresiv. AS music is 4 / 4 ,tempo is 30 steps per minute. Name has been abbreviate from Cha-Cha-Cha to Cha-Cha.
Cha-cha is a dance full of life, which involves rapid movements to be giving off a cheerful atmosphere, playing a little naughty. It has a jerky rhythm, full of vitality and strength, dansing on track to have borrowed many elements of jazz beat and disco. Cha-cha is popular today, his pace can be heard in the music of Julio Iglesias, Gloria Estefan, Ricky Martin, Enrique Iglesias, Jennifer Lopez, Chayanne, and many others.
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Rumba
Old Name: Son
Year Published: 1913
Original: Spanish-African A
s music: 4 / 4
Tempo: 25-27 steps per minute
Name of Rumba is a generic term covering a variety of names (ie, Son, Danzon, Guagira, Guaracha, Naningo) a music or dance in western India. Exact meaning varies from one island to another. During the Second World War, "your Son" was a popular dance of middle class in Cuba, is a refined version of Rumble slower. And slow is "Danzon's" dance of Cuba that the rich are very small steps, produces a very slight woman tilting balances by bending and stretching knees alternative. There are two sources of rumba, a Spanish and other African. But the main development took place in Cuba, although there were similar developments in other Caribbean islands and in general in America appeared in Rumble Latina. Rumba influence appear on XVI century, with the black slaves imported from Africa.
In folklore, rumba is essentially mimicking a sexual act very quickly with exaggerated movements of hip, with an aggressive attitude in the sensual man and a defensive attitude to women. Music is composed of broken beats (stacatto drunk) supported by expressive movements of the dancers. Accompanying instruments including maracas, harpsichord, and tobe.Rumba marimbola American Son is a modified version of the site. The first serious attempt to introduce them in the U.S., was made by Lew Quinn and Joan Sawyer in 1913. Ten years later band leader Emil Coleman brought musicians and dancers in New York. In 1925 when Benito Collada opened El Chico club in Greenwich Village, he realized that New York City did not know anything about Rumba. Real interest in Latin music began, but only in the late 1920s, when Xavier Cugat formed an orchestra specializing in Latin American music.
Later in the 1930s Cugat played at the famous Waldorf Astoria Hotel in New York, with the most remarkable of those times. Dance appeared in 1935 on movie "Rumba", a music-hall superficial when playing a dancer George Raft to win heiress (Carol Lombard) through the universal language of dansului.Introdus in Europe was based more on enthusiasm and interpretive ability of Monsieur Pierre London teacher, who in 30 years with his partner Doris Lavelle real popularized version of Cuban Rumba, London . In 1955 it was officially recognized, after much discussion, Rumba Cubaneze.Masura musical version is 4 / 4 tempo of 25-27 measures per minute is sensual, subtle and passionate, rumba is called "pearl of Latin American dances, is a dance of love and suffering. It is characterized by large movements of the pelvis and elegant undulations of the arms, with a lyrical melody, maybe a melo-dramatism. Today many of the figures have kept the old story of passionate love that she tries to dominate the man with charm female. The choreographed successful there will always an element of "teasing and run", the man being tempted and then rejected. For his partener the most attractive movements are in the pool, while partner uses his whole body in order to impress and dominate the partner. Unfortunately, at the end of the dance he ever fails.
Rumba was and remained the spirit and soul of Latin American music and dance. Exciting rhythms and expressive bodies making the Rumba one of the most popular Latin American dances.
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Paso Doble
Old name: Paso Doble
Year Published: 1920
Original: Spanish-Mexican
As musical: 2 / 4
Tempo: 60-62 steps per minute
Dancing Paso Doble is the only Latin American dance that is rooted in culture not "Negro", originating in Spain, also found in Mexico. The name "Paso Doble" in Spanish means "two steps" and can be distinguished from 'Paso a Dos' which means' dance for two. " The concept of "two steps" refers to the marching nature of dance steps that can be counted "1, 2" for "left, right." This may be contrasted with its description as 'Spanish One Step', so called because each beat of the music is just one step ones. Paso Doble is one of many Spanish folk dances associated with various aspects of Spanish life .
Paso Doble was developed based on movements during Bullfighting Matador. In this dance partner is much more in the spotlight, awarded to the partner role chapels. Link between the corridor and that dance music is given especially characteristic march music used at the beginning of a corrida. Bullfights date back to ancient Crete, but only in the 1700s was adopted also by the spanish. This is the last dance learned during the course of Latin American dances, because it relies on a precise choreography arranged on the melody, beeing a very difficult one. Paso Doble dance began to gain popularity around 1920, the climax of popularity was reached in 1926. Paso Doble was accepted as a dance competition after the music Mondial. As music is 2 / 4, tempo being of 60-62 measures per minute. When the music starts Paso Doble, instantly creates a specific atmosphere Spanish. Presentation of this dance is broad chest, shoulders spread downwards, with the neck pulled back, the head is tilted slightly forward and down. This is the position bullfighter who must have eye contact with the bull permanently. The weight is forward, but many steps to go back to driving with their heel.
Choreography is usually related to structure dance tune 'Espana Cani ", which is Spanish Gypsy dance, this dance has three crescendos in music. These moments are easily noticed due to the spectacular pictures realized by the dancers, which add grandeur to this dance.
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Jive
Old name: Jitteburg
Year Published: 1944
Origin: American
As music: 4 / 4
Tempo: 42-44 steps per minute
Jibve was brought from America, originally developed from a dance called "Jitteburg" by eliminating acrobatic elements and improve technique. First description of this dance was performed by London dance teacher Victor Silvester, description published in Europe in 1944. The word 'Jive' origins is not known exactly. May refer to "jive talk", meaning a noisy and colorful speech, inappropriate, misleading, or exaggerated. This word reflects the nature of dance: jumping and noisy. Receive influences of jive comes from African slaves in America. These slaves danced traditional dances which were so few simple steps and triple. Also, their music had a rhythm contiuu bass, and some elements of the current jive dance. In 1880s, there's this dance competitions among blacks in the South, and the prize was a cake, so dance was called "Cake wALK".
How the exuberant music and dance event of this type of dance style contrasts greatly with more than austere and lifeless in the high society of whites. With the death of Queen Victoria in 1901, English-speaking peoples have felt more free and not only adopted this type of dance, but many others, being considered for a long time afterwards as dance is a mixture indecente. This dance it's a mixture of Rock & Roll Boogie-Woogie, Swing and Jitteburg U.S., where clear and expressive nature of Jive's fast. Of all these dances Jive's is most related to swing, especially since evolved into competitions which were held in America and in parts of Europe in the early 1900s. Jive music developed especially in the '50s - '60s, containing sprightly rhythms and melodies can be danced placute.El both on the dance floor at a dance competition, and in discos or clubs.
The most obvious element of this dance is speed. Family of such dances such as swing or Lindy's hop dance they require considerable space and phisics energy to support it. Jive does not give signs of turning into a dance, but must know that there are two styles of jive: International style, meaning that described above, and authentic style, or one based more on movement swingului.Este obvious to note that dance is a very fast, consuming more energy. Being the last dance in the competitions, the dancers are forced to prove that after the other four dances still have the energy needed for Jive.Dansul Jive is a dance static as there are more movements while dancing. Emphasize times are 2 and 4 times. The Jive tournament lasts 1.5-2 minutes, the number of beats per minute is 44. Music has a rhythm of 4 / 4, with the tempo of 42-44 measures per minute.
It must be said that this dance contains both chasse steps, kicks and pirouettes and quickly achieved. Often these things are succeeding in a very complicated, and why should the two sides remain very focused on not losing the rhythm of music. During competitions, partners are often points depending on the energy they show, especially fairness and aesthetic execution of the steps to the music. Flick and kicked sites sites should not be just pure artistic decoration, is playing some very important elements in the rhythm and tempo, and other gestures that can be made. The central element of dance is plug hands, which must be in constant pressure. Be very firm.
Another essential element is coordination between the two partners, especially during times when changes are made fast and complicated hand turns. Current version intake of Jive has formed the basis of chasse steps achieved syncope sites, ie the side nearest , lateral leadership body left side - right, followed by a rock step done to revert back to the front. Hips move with a half-beat after each step and the weight is kept to permanenet before, namely on the pillow base. During chasse's, because the leg that leads you up, forming an angle of 90 degrees with the body and leg following the apparently inactive, which creates the optical illusion is called the "moonwalk" or walking on the moon, giving present an interesting dancer weightlessness.
A very interesting combination of dance and especially the music and style of expression libertine youth. This is not random because young asimilated instantly the belief of that time, and the most advanced age remained reluctant to change long criticized vehemently unhealthy inclinations of young people.
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Salsa
Technically, the dancing 8 times, but only 6 steps practically walks, 2 as breaks. It can dance without a partner, but usually dance in couples, the man is one who leads and directs the movements of women. Leg movements (steps) are slow compared with movements braţelor. Salsa music has several characteristics: an introduction, a melodic part, a greater rhythmic / percussion called 'montuno' repeated melodic side and end. Exclamations were usually used to mark changes in a particular sector, particularly in montuno, which is most intense section with rhythmic energy.
The exclamations are used: `` candle (fire) Salsa `` (fire), `` Sabroso (tasty), and `` Azucar (sugar). Cuba has shaped the identity of the Son, has managed to merge features music songs by white and black peoples. Son originated in eastern Cuba and developed in the first decades of the twentieth century. The beginning was a mixture of Spanish and Afro-Cuban elements. Style development continued in 1940 with the invention mamboului. In Cuba in 40 years is already playing mambo, its invention is attributed to Perez Prado who has spent much of her life in Mexico. Beny More mambo rhythm combined with son and guaracha. Mambo peaking in 1950 when the band was led by Machito and Tito Puente and Tito Rodriguez puertoricanii introduced instrumental solos and jazz-influenced sophisticated musical arrangements.
Thus, as living more in Mexico than Prado popularized this music, and New York mambo bands have developed their own style and Cuban music began to have an existence outside the island and the environment was conducive to the salsa boom in 1960. At the begging of 1800 puertoricans borrowed different styles of music including Cuban son, guaracha, rumba, and bolero. And in 1920 puertoricana music became a product of New York because of migration has played an important role in culture puertoricana. Salsa name is very much tied to Fania Records, which was founded in 1964 by Johnny Pacheco, a leader band with Dominican parents and Cuban musical tastes. Fania began as an independent company and Pacheco distributing records to local stores in its trunk.
Since 1967, Fania leded by Italian-American lawyer Jerry Masucci was involved in a promotion campaign records and very aggressive style of music succes. Any commercial music style needs a name to attract. And then, Fania Records promoted by Izzy Sanagria word 'Salsa' who was already familiar with being shouted during teh song by fanfare. This word has been used previously by Beny More in his welcoming formula `Hola, salsa` and in Sexteto Habanero song 'Echale Salsita'.
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Merengue
Merengue is a Dominican folk dance originating in that dance on 2-stroke. It appeared somewhere in the eighteen century and is the easiest dance of those mentioned, so it is danced in closed position and open position using different types of turns and inlets to hands. Also regarding the origin of merengue's opinions are spleeted. According with Jean Fouchard's, "Merengue" fusion music evolved from slaves, such as Chic and Calenda with Contradanse. Nolasco Flérida attributes authorship of the first compositions of Merengue "Ay, Coco!" "He sancocho", "El que no tiene dos pesos no baths" and "Huye Marcos Rojas que coje you to pelota" Colonel Juan Alfonseca Baptiste (1810 - 1875). Rafael Vidal says that the emergence of this genre is the spontaneous expression of joy resulting from victory in battle of the Haitian Talanquera in 1844.
According to another variant, Merengue would have appeared at a party given in honor of a guest senior invalid leg. When he began to dance all the guests have remarked how special it is and move because of disability or, in sign of respect, everyone felt compelled to imitate. And so were born merengue-ul. The fourth version says the merengue's origin Taino African traditions, which were later mixed with Spanish colonial and African elements. Nobody knows but if he came directly from Africa or even passed through Cuba. Someone suggests a link with pirates in "La Tortuga", because many of them (by nature of their profession) suffered amputations of legs and wore wooden dentures . This puts his mark on the manner of locomotion and default on their dance.
Others argue that because the slaves came to dance, feet chained to the joint, were forced to crawl on foot handcuffed sincronising with beating booms when harvested sugarcane. It also possible that the name has been borrowed the haitian cake made of egg white and sugar, called Meringue. Jean Fouchard said that the name derived from Mouringue merengue music Bantu people of Madagascar called "bar". According to Fradique Lizardo, during 1838-1849 occurred in Caribbean and then in Santo Domingo (Puerto Rico), a new dance URPA or "UPA Habanera" (UPA Havana) which included a part called merengue. Merengue first article appeared in publication in 1854 and Oasis were signed by Eugene Perdomo. DSince 1930 merengue dance is recognized as a national of the Dominican Republic. Although in terms of music is linked to Cuba, the dance comes from the island of Hispaniola - some of it is called today's Haiti and Dominican Republic each other. From the middle of the eighteenth century, this genre of music called "Merengue" - the Dominican Republic, - "Mereng" - in Creole and "Meringue" - but that is in franceza. For sure Merengue was born in Cibao region around 1850. In this region's Merenge's popularity was so great that today is called "The craddle of merengue (merengue's rocked). In the early twentieth century, few musicians educated - Juan F. García, Juan and Julio Alberto Hernandez Espínola - have organized a big campaign to introduce this dance dance parlors. Their success was not immediate, because high society refuses to accept it citing mainly the versurilor. Profanity began to accept merengue only when the aristocrats family of Santiago asked Luis Alberti to write a song for a party organized to celebrate 15 years of their daughter. Alberti wrote "Compadre Pedro Juan. The song was not only accepted, but became a hit and is considered today a kind of anthem's merengue.
In 1930, Rafael L. Trujillo's intuited the importance of merengue as a means of propaganda and ideological vector used as the presidential campaign, using it a few bands "Perico Ripiao. To the dictator "desire", radio stations have integrated in their site merengue music industry has followed, and finally, merengue festivals were treated as part of national cultural heritage. In 1961, the Trujillo regime ended, merengue's regained a form of popular expression. Moreover, integrating new forms of music has expanded instrumental palette, and reaching the U.S.. There, modern artists like Juan Luis Guerra and WilfridoVargas have enjoyed great success. Finally, in 1990, was nominated for the Grammy-Award section Latino. Connoisseurs distinguished several different style trends, such as Bolemerengue, Jalemerengue, Juangomero and Pambeche.
To simplify matters, experts Dominican merengue divided into two groups: Merengue's "traditional" and the "city". The first can be found in rural areas, and is performed by combos (folk music bands) consisting of three to four musicians (hazards ripiao) and traditionally containing a "tambora", a "guirra" and a site acordeon.Merengue "city", which was imposed on the market and in nightclubs, has a richer instrumentation. Added to those already mentioned Trumpets, Tromboanele, E-bass and synthesizers sites. Merengue forms the latest site: Tecno-, rap, or hiphop, merengue and are ranked tops in discoteci. Traditionally, a merengue song consists of an introduction "Paseo" which develops the theme song, and "jaleo", a kind of crescendo, sung by several voices. An important event in terms of it's merengue in the Dominican Republic is the carnival held every year in the third week of July. Thousands of Dominicans and tourists dance the rhythms Combo's, on Avenue George Washington, along the Malecon's.
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Argentinian Tango
Tango was born in Argentina, Buenos Aires, the late nineteenth century in the poor suburbs of the city that housed a large number of immigrants from all continents. Tango music was very simple accompaniment to lyrics expressing joy, love and sorrows of the inhabitants of Buenos Aires. The dance was simple and monotonous, is dancing on the streets and brothels nest. Due to the higher man number, pairs of dancers consisted more mens. Tango music was played on portable instruments: guitar, violin, etc.. Bandoneonul, brought into Argentina in the late 19th century became associated with the tango instrument, the bandoneonul sound means for many persons the tango sound. During that period tango dance was considered non acceptable in society because, given where it appears tango, people considered it immoral. Gradually, however, lower class of Buenos Aires begins to listen and dance the tango (no movement "sin" such as sites or Quebrada corte but ...) Saturday or Sunday, at weddings, christenings, and so om. Singer Carlos Gardel, the golden voice of tango is in part responsible for the transformation of tango music in a "respectable", loved and admired.
Carlos Gardel was tango star - a star idolized and heard everywhere. Carlos Gardel tango inaugurates golden age, and his tragic death seems to conclude it. Between 1935 and 1950 tango orchestras develop their own mark each sound and create their great composers of tango orchestras that play exactly true composer's vision. Orchestras such as Juan D'Arienzo, Francisco Canaro and Aníbal Troilo are defining the sound of tango, so we know today. Military dictatorship in Argentina in the period 1963-1983 with some interruptions, stop public tango events. Tango withdraws again suburbs of Buenos Aires in private parties and small restuarnts. Since 1980s tango reborn on international public opinion through Argentinean tango shows. There is a new-style "tango fantasia" style stage show, "Tango to watch."
Tango has spread like wildfire and included Paris, London, Rome, Berlin and New York overseas. And then returned to Buenos Aires - but with another statut.Practicaly have survived all styles of dance developed in a period of almost 150 yeras. Tango heart was and is Buenos Aires. Most of tango masters dancers are argentinian. Tango is danced all over the world and Romania does not make an exeption. Tango is a personal experience who lives in the couple on the dance floor. True history of tango is written every minute in the heart of every tango dancer.
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Slow Waltz
Between 1910 and 1914 a lot of people went into central London at the Savoy Hotel to the Boston Club to dance Boston Waltz the predecessor of the today?s slow waltz.
Yet only after 1922 It became known as popular as Tango. One thing that is particularly remembered about Boston is that the partners danced side by side, with the position very different from the one today.
After the First World War the English Waltz slowly began to take shape, taking the decision that the basic movement to be: step, step, next.
Slow waltz
In 1922 when Victor Sylvester won the England championship, the cerography he danced was formed only by these figures:"Natural Turn," "Change of Direction" and "Reverse turn?, less than a beginner learns today.
In the years 1926-1927 Slow Waltz was significantly improved and the basic figure turned into step, side, close. This made possible the emergence of numerous figures which were later standardized by the Imperial Society of Teachers of Dancing (ISTD), many of them are still used today in Dance Sport.
A special contribution in the development of Slow Waltz beside Victor Sylvester, has had Miss Josephine Bradly, Maxwell Stewart and Pat Sykes, the former English champions.
The musical measure is 3 / 4 (three quarters as a musical), tempo is 27-30 steps per minute.
It has a romantic character, dreamy, soulful and sensitive. It is characterized by extensive and elegant raisings and descents and is considered to be the undisputed king of the sozial dance.




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